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Albrecht Durer Portrat der Barbara Durer oil painting


Portrat der Barbara Durer
Painting ID::  80549
Albrecht Durer
Portrat der Barbara Durer
Date Deutsch: um 1490-1493 English: c. 1490-1493 Medium Deutsch: Tannenholz Dimensions 47 x 38 cm (18.5 x 15 in) cyf

   
   
     

Albrecht Durer Portrat eines bartigen Mannes mit roter Kappe oil painting


Portrat eines bartigen Mannes mit roter Kappe
Painting ID::  80704
Albrecht Durer
Portrat eines bartigen Mannes mit roter Kappe
1520 Medium Oil on canvas Dimensions Deutsch: 40 x 30 cm cyf

   
   
     

Albrecht Durer Portrat des Hieronymus Holzschuher oil painting


Portrat des Hieronymus Holzschuher
Painting ID::  80826
Albrecht Durer
Portrat des Hieronymus Holzschuher
1526(1526) Medium Oil on panel Dimensions Deutsch: 48 x 36 cm cyf

   
   
     

Albrecht Durer Portrat der Felicitas Tucher oil painting


Portrat der Felicitas Tucher
Painting ID::  80838
Albrecht Durer
Portrat der Felicitas Tucher
1499(1499) Medium Oil on panel Dimensions Deutsch: 28 x 24 cm cyf

   
   
     

Albrecht Durer Portrat der Elsbeth Tucher oil painting


Portrat der Elsbeth Tucher
Painting ID::  80907
Albrecht Durer
Portrat der Elsbeth Tucher
1499(1499) Medium Deutsch: Lindenholz Dimensions Deutsch: 29 x 23,3 cm cyf

   
   
     

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     Albrecht Durer
     b.May 21, 1471, Imperial Free City of Nernberg [Germany] d.April 6, 1528, Nernberg Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions. His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.

     Related Artists::.
     | Angelo Bronzino | Taddeo di Bartolo | Frans van Leemputten |


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